DNF The Goodbye Cat. Too many dead cats in the first two chapters along with it being twee and kind of repetitive, and also irritating gender stuff. I’m sorry, Japanese best sellers written by men, so far you just haven’t been that great.
I thought Death in the Spires by KJ Charles would be too grim for me, but actually it wasn’t as bad as her Sins in the City series– all those warnings that it wasn’t her usual fare and it’s not a romance etc. If you’re overly sensitive like me, it’s fine. An excellent read for being stuck in an airport for 15 hours (it did not take 15 hours to read though– thank goodness for Kindles).
Everyone on this train is a suspect by Benjamin Stevenson started out promisingly as a farce, but started dragging about when there should have been a murder. I gave up and skipped to the last two chapters with the solution and epilogue and felt like I hadn’t missed anything by not reading the rest.
The Partner Plot by Kristina Forest was ok. The problem is it’s one of those books which was way more interesting when the protagonists were apart than when they were together and they were together most of the book. I wanted more of the heroine’s life as a professional stylist to the stars. More of the hero’s life coaching basketball and teaching high school English. They just weren’t that interesting together.
DNF Do Your Worst by Rosie Danan. Another one that was much more interesting without the romance, but this one just got irritating and juvenile when they were together. I want to just read about the heroine breaking curses. And maybe the hero doing his archaeology stuff. Everything where they were together with their ridiculous unnecessary and just like.. teenagery enemies to lovers (they’re supposed to be in their 30s, which is really troubling) to enemies etc. So dumb that I decided it wasn’t worth finding out more about the curse in the castle or how one goes about breaking curses. So I gave up.
DNF Love at First Book by Jenn McKinlay. Another American with a grumpy UK person, though not as juvenile as the above book. Still, the grumpy Irishman hero is the heroine’s boss which is sketchy. And it’s another one where it’s just more interesting when the heroes are apart than when they are together, and sadly they’re together most of the book. I read about half (up to where they got together and joked about how much they love third act breakups) and then skimmed the rest to see if there was any closure with the heroine’s US stuff. Meh.
I’ve started reading, or perhaps in some cases rereading, Mary Stewart books. They are this odd combination of surprisingly modern (the writing style– which is often first person, usually tight, and also delightfully tongue in cheek) and a bit regressive (Wildfire at Midnight has lots of recommendations to stay with a cheating husband, though that’s not the choice the heroine makes at the beginning of the book). Professor Google suggests she started the entire genre of Romantic Suspense, which I’ve been a fan of ever since I wandered upstairs to the adults section at the library and ran out of mystery novels (and discovered that Elizabeth Peters wrote books I liked even more as Barbara Michaels), so it’s quite possible this genre has kept some of her writing style as well. (Though my guess would have been Phyllis Whitney as the founder, particularly with her jv books… I suppose they’re contemporaries. Or maybe Mary Roberts Rinehart, though her suspense is a lot more gothic.)
I really liked the latest Emily Henry, Funny Story. One of my friends said it was too slow and she’s not going to read Emily Henry books anymore, but I think this is my second favorite of hers (after Book Lovers). It was just really nice. Don’t be put off by the first chapter– the hero isn’t actually a pothead slob. Though in the last chapter I did feel SEEN in a way I felt a bit uncomfortable. Like, stop reading me, I’m supposed to be reading you. Did not care for the third act breakup– it was out of character and irritating, but at least it was short. I’ve kind of given up on counting dumb third act breakups against otherwise good books, especially if they’re short. But authors, you do not need to have that trope. There are other ways to end a book. Also grand gestures are dumb, particularly when you know the other person doesn’t like surprises. Still, I forgive the book. (Also I skipped the sex scenes. Boring.)
You Should be so Lucky by Cat Sebastian was REALLY GOOD. It has a very similar vibe to the first book in the series (I believe one of the heroes of the previous book is the boss of one of the heroes in this book). At its heart, it is a story about resilience, and how do we keep on keeping on when things aren’t going our way. Given all the rejection I’ve had recently, it probably spoke to me more than it should have. It’s not really about baseball. As one of the characters notes, “nobody has ever written about baseball without it being a metaphor.”
People in Glass Houses by Jayne Castle seemed a bit rushed– the hero wasn’t particularly developed, nor was their relationship. Still a decent read. More world-building in the Harmony series.
The Lily of Ludgate Hill by Mimi Matthews had a really slow start (with the main characters much more interesting apart than together– a theme…) but then redeemed itself once they actually talked and then started being nice to each other.